"Beyond the Cardboard" with Earl Sanderson (Episode 2) from JoeSportsFan.com on Vimeo.
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"Beyond the Cardboard" with Earl Sanderson (Episode 2) from JoeSportsFan.com on Vimeo.
Follow us on Twitter@HHReynolds or Click Here to get HHR in your inbox.
To help preserve the legacy of our cardboard heroes of yesteryear, HHR proudly announces the launch of "HHR's Gem Mint Ten."
Bonus points for having a pickle tickler that would put Harry Waxman to shame. Which leads us to believe he also was not afforded his just due in the by the AMI.
For nearly four decades, Richardson, a prominent Democrat frequently mentioned as a possible presidential candidate, has maintained he was drafted as a pitcher in 1966 by the Kansas City Athletics.For the record, if anyone's looking to deal, I'm offering a Buddy Biancalana, Steve Jeltz and a Brook Jacoby for a gem mint 10 Kucinich.
But an Albuquerque Journal investigation found no record of Richardson being drafted by the A's, who have since moved to Oakland, or any other team. Informed by the newspaper of its findings, the governor acknowledged the error in a story published Thursday by the paper.
"After being notified of the situation (by Journal reporter Toby Smith) and after researching the matter ... I came to the conclusion that I was not drafted by the A's," Richardson said.
Player: Joe Dumars
Player: Avery Johnson
Player: Steve Largent
Player: Joel Skinner
Player: Ozzie Guillen
Player: Glenn "Doc" Rivers
Player: John PaxsonKevin McHale is a terrible talent evaluator: from 1996-2005, exactly TWO of his picks (out of 15) remain in the NBA: Wally Sczerbiak and Rasho Nesterovic. Of course, that total would be higher if he hadn't brokered a secret deal with Joe Smith and robbed his team of FOUR first round picks. McHale actually drafted both Ray Allen and Brandon Roy, but then traded them both away on draft day for inferior players (Marbury and Foye). McHale is supposedly a vaunted teacher of footwork and post-play, but how many Timberwolves have benefited from his tutelage? Kevin Garnett is essentially a small forward, favoring fade-aways and jumpers over trips to the free-throw line. Can you name a single productive center from McHale's tenure? Who has he helped blossom into a good player, other than KG (note: not Mike Olowokandi or Eddie Griffin)? Free agency has also been a disaster for McHale. Last year's savior Mike James lasted one season. Troy Hudson wasn't quite worth the 37 million Kevin gave him. Sam Cassell and Latrell Spreewell both performed well for a year, but Sam was swapped for the more expensive and less productive Marko Jaric while Spree wasn't resigned.Kevin McHale traded for Mark Blount and Ricky Davis. Kevin McHale allowed his team to begin training camp with 8 small forwards, leaving the point to Sebastian Telfair and Marko Jaric. Kevin McHale's only good decisions have been to cover up for his bad ones: buying out Troy Hudson, re-trading Davis and Blount, trading Trenton Hassell, Buying out Juwan Howard etc. How bad is Kevin McHale? His worst contract has been forced into playing this year, as McHale's roster is so bad, there is simply no one better than Mark Madsen to play minutes at Center. Ouch.Cool as the other side of the pillow.
Player: Isaiah Thomas
Hitting coach Kevin Long and first-base coach Tony Pena will return, while Dave Eiland has been promoted to pitching coach. Rob Thomson becomes the new bench coach, and both third-base coach Bobby Meacham and bullpen coach Mike Harkey -- both members of Girardi's 2006 Marlins' coaching staff -- have joined New York.
Player: Mitch Williams
Player: Mike Pagliarulo
Player: Howie Long

Player: Mark Gubicza
Player: Greg Anthony



My friends and classmates in primary and high school all knew about it. I never really had anyone try to make fun of me for it, though. I didn't have people on the street recognize me but I was just a kid, so I didn't meet too many strangers.
As I got older, occasionally people would ask me after I had introduced myself, "Say, are you by chance the Tommy Wheatley that wrote for Beckett?" At that point I'd own up to it, and we'd chat for a bit about collecting or Beckett.
I did have one experience when I was in college that made me wonder, though. I lived with the same roommate for the last three years of university. During our first year together, we were talking one day and the subject of card collecting came up and I mentioned that I was really into it as a kid and that I even wrote for Beckett. My roommate, who was kind of a mysterious guy anyway, looked at me and said, "Oh, I know who you are."
After that I wondered if there weren't more guys like him out there that knew exactly who I was but didn't want to say anything about it when they met me. Collecting sports cards isn't exactly the coolest hobby to be admitting in college.
Why didn't you continue writing? You had an impressive resume by the age of 14.
I didn't stop writing; I just stopped doing it professionally. I've had a love of writing from at a young age. I was blessed to have excellent writing teachers when I was growing up. My father is still the best writer I know and he wasn't shy about telling me what I was doing wrong. No coddling there.
In high school I had a teacher named Tom Reck who was a fantastic writing teacher. I remember I got a C on my first paper in his class (almost everyone did, because we all sucked). I was a good student and I went home that night and threw a fit. My dad looked at my paper and the comments that Mr. Reck had written and said, "I don't disagree with anything he's written about your paper." This ticked me off even more.
I had an article published in a book called Fathers and Sons. I thought that was hysterical because the topic of the book was famous fathers and sons in sports. There were chapters on all these famous athletic families, and then a chapter on Tom and Tommy Wheatley. Hmmm, one of these things is not like the others...
I went to college at Truman State University, a liberal arts and sciences school in a small town in northeastern Missouri. There was a paper at Truman called The Monitor. A group of students founded it in the early 1990s after they watched Noam Chomsky's film “Manufacturing Consent", about how a small number of corporations controls a majority of media outlets, which limits the number of viewpoints in the marketplace. They thought our school should have more than one paper. I wrote extensively for The Monitor for about three years and was also an editor for one year.
Two articles I'm very proud included a story about a fistfight between a student and a professor, where I scooped the school paper and got an interview with both the professor and the student. The other article was about how Shell Oil was basically paying the military in Nigeria to wipe out villages of people so they could drill for oil. As a result of the efforts of many students on my campus, the local Shell station was forced to close its doors.
How did you get into DJing?
I was turned on to dance music during 1998, when groups like Prodigy, Chemical Brothers, Crystal Method, and numerous others broke into the mainstream in America. They were calling it "Electronica.” Thank god that name didn't stick. I started going to raves and became fascinated with the idea of DJing, that a person could take two records recorded at different speeds and keys by different people in different countries and mix them together so that the listener couldn't tell where one song began and one song ended.
The year after college I bought some turntables and started learning to mix records. Some of my friends were DJs and they were very helpful in teaching me how to do it properly. I became obsessed with it and would practice for hours a day, so it wasn't long before I was playing out at house parties. I wasn't really planning on it ever being more than just a hobby, though. It's really tough to break into any part of the music scene in America.
During my first three months in China I met another American named MJ. He was a club DJ and he told me about how he was getting flown around the country to do parties at different clubs. I thought that DJing would be more interesting than teaching English (you can only teach the "My name is ____. What's your name?" class so many times before your brain explodes), and also would be a good opportunity to explore the country. So, I started DJing on the weekends at a local bar, and eventually was able to quit teaching and DJ full time. I've been to over fifty cities in China to play records.
I play house music, and I only use vinyl. It's hard to say what style I play without sounding like a dance music elitist, but if I had to categorize it I'd call it "Chunky Electro Tech House." It's basically music that you'd dance to at a club.
Here's a link to a page with a couple of my mixes. It's all free.
What’s the craziest thing you've seen while DJing?
I had just finished at set at this club and a huge fight broke out. It spilled from the second tier VIP seating to the first tier, and then they brawled all the way across the club to the door. Guys were bleeding and hitting each other with these heavy metal barstools. It was wild. My girlfriend looked at me and said, "That's the best fight I've ever seen.”
Ever look back and cringe at the articles?
Honestly, I don't really feel that way, because the articles were pretty good. Remember, Kids Korner was a risky thing for a print magazine to try, any print magazine. Beckett was like the Bible for card collectors, so it was a big deal for them to hand over a page every month to a kid. These days, a column like Kids Korner might just appear online.
It was very ambitious on their part. I don't know if I've ever read a monthly column in any other magazine written by a grade school kid. Beckett wouldn't have run it for as long as they did if it was just a bad idea.
By contrast, after the first few Kids Korner articles were so well received, they created an article called "Teen Topics". This was a monthly column that was written by a different teenager every month. It didn't last very long. I think it was unsuccessful because they didn't have just one kid write it every month.
Sometimes, there would be a Kids Korner article and a Teen Topics article in the same issue. I used to remember always reading the Teen Topics article to see if it was better than my Kids Korner article. Typically, I always thought mine were better.
How did a Kids Korner article get written, from the concept to the finished article?
Looking back, this was the best part of my experience writing Kids Korner, because I did it all with my Dad. He was like the equivalent of a record producer in a studio.
We always wrote down potential ideas for stories. Sometimes the articles would be about some aspect of collecting and sometimes they would be about something I did, like being the batboy, having a baseball card trading party, and so on. I think the best articles were about something I did.
Whenever my we had a bunch of ideas ready and my Dad had free time we would write an article, sometimes even two. We would go up to my bedroom and my dad would sit on my bed with his laptop computer. I would shoot baskets on myNerf hoop and dictate to my Dad what I wanted to say. He'd type it in for me. After he typed something in, he would read it back to me to make sure it was how I wanted it. I do remember being very specific with what I wanted to say and how I wanted to say it.
Then, after we'd written the whole thing, we'd go back through it and fix it up. My dad would say things like, "Ok, you've started the last three sentences with "I". Can you think of a different way to say this?" or "Do you want to talk about how you got the interview with this person or just go straight to the interview?"
The thing people really liked about Kids Korner was that it really sounded like a nine-year-old kid. My Dad pretty much left my words the way they were and just helped me fix the grammar and arrange my thoughts properly. He did a great job letting my voice come through in the articles.
The hardest part of any article was coming up with the first sentence. That used to frustrate me. We'd be all ready to start the article and it would take me twenty minutes to think of a good first line. After getting that first line, the rest of the article went pretty quickly. Sometimes, when I got on a roll, I'd be talking so fast my Dad would have to tell me to wait for him to catch up on typing it all.
Where are your cards now?
My cards are all packed in large purple Tupperware tubs in the basement of my parent's house. All the complete sets and boxes of commons are in those set boxes that you had to fold yourself. I also have stacks of three-ring binders with cards in them. It would be entertaining to look through those and see which cards I had selected as a kid to be worthy of binder status.
About how many do you have?
I have thousands of cards. The majority of them are from probably 1987 to 1991. Those were the years when my Dad and I were really heavy into collecting.
We have a whole lot of cards from 1987. My Dad just loved the 1987 Topps cards because they had a wood grain design that reminded him of the 1962 Topps cards he collected as a kid. I mean, he really got into those 1987 Topps cards. We bought so many packs that year that I think we completed about six full sets. My mom thought we were out of our minds.
Ever think of selling them?
I don't think about selling those cards because they just aren't worth that much. The cards from the 1980's were mass-produced, so they aren't very hard to come by. Now, if me how they miraculously shot up in value, I'd sell off some of those excess complete sets I have, but I'd still keep at least one complete set of everything I had. I think in the future those 1980's cards won't be worth much, but will make great gifts for a lot of young sons and daughters.